


A core brand idea of “Adding a new dimension to the West End” brings Central St Giles' potential to life.
The Meadowhall brand was reinvigorated through a major relaunch and integrated campaign.
Revitalising the Directgov brand introduced the versatility it needed to come to life across a wider range of media and applications.
The Avenue appeals to fashion brands using a visual language they would instantly recognise.
This campaign switches the focus from animals to people, and from big conservation issues to simple actions that everyone can do to help.
See the workDisplayed in key work areas, a series of ‘rich picture’ posters build up a complete picture of the future of BA Engineering.
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WWF's FSC campaign sends home the message that our choice of wood or paper can have far-reaching consequences.
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The London Wall Place campaign gets prospective occupiers to think again about London Wall.
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British Land's 2011 annual report and accounts create a portrait of a company with a confident sense of purpose.
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The core idea for the Fidessa brand is based on the essential quality of “trust” in the fast changing financial world.
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The Merchant Square office space was transformed into a 3D brochure filled with striking installations.
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Morgan Sindall's AR 2010 conveys the company's dynamism, stability and unwavering sense of direction.
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The Wandering Nomads brand hints at a golden age of exploration in the wilds of Northern Kenya.
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The IAG identity transcends national boundaries and creates a business-like, timeless appeal.
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BTG's core brand idea cuts to the essence of their mission capturing their absolute commitment to their stakeholders.
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Cox Cookies & Cake draws on the visual language of London’s most infamous red light district for inspiration.
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The Penthouse brochure gives the impression of an exclusive private tour, rather than a public view, of the apartment.
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A core brand idea of “Adding a new dimension to the West End” brings Central St Giles' potential to life.
See the work“What one tree means to me” challenges the misconception that using recycled paper means sacrificing quality.
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The Westminster Terrace brand positions this development as a byword for exclusive luxury.
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The visual language we developed for De La Rue’s reports borrows from the world of money.
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The Meadowhall brand was reinvigorated through a major relaunch and integrated campaign.
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The heraldic crests and medieval engravings of Tuscany create a strong visual language for Buriano.
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Revitalising the Directgov brand introduced the versatility it needed to come to life across a wider range of media and applications.
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The Avenue appeals to fashion brands using a visual language they would instantly recognise.
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The Crossrail identity gave the project the positioning it needed to go through parliament and into construction.
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